Welcome to the Neighborhood
Covers
 
 
Tracks
  1. Where the Rubber Meets the Road (4:57)
  2. I'd Lie for You (And That's the Truth) (6:40)
  3. Original Sin (5:59)
  4. 45 Seconds of Ecstasy (1:06)
  5. Runnin' for the Red Light (I Gotta Life) (3:58)
  6. Fiesta de las Almas Perdidas (1:27)
  7. Left in the Dark (7:11)
  8. Not a Dry Eye in the House (5:54)
  9. Amnesty Is Granted (6:09)
  10. If This Is the Last Kiss (Let's Make It Last All Night) (4:33)
  11. Martha (4:39)
  12. Where Angels Sing (6:08)
Info
Bat Out of Hell, Dead Ringer, Bad Attitude, and Bat Out of Hell II were all punctuated by wonderful fantasy cover art (BOOH2 had other fantasy pics in the booklet, too). With the record label reportedly pushing Meat Loaf for a Bat Out of Hell III, I suspect Meat was more interested in not falling into a cheap marketing ploy, and thus the theme to Welcome to the Neighborhood is anything but fantasy.

That isn't to say that fantasy art and a BOOH3 title would have changed Meat's style; but I think he didn't want to be seen as stooping to marketing tactics just to sell CDs. The theme of WTTN is 1950s adventure, reflected in the busty, scantily-clad woman on the cover and the hard-jawed, steely-eyed "private eye" type seen within, the faux "detective dime novels" appearing with each song's lyrics, and of course the photos of Meat dressed for the theme and behind the wheel of a car to match.

Jim Steinman's pen makes only two appearances here, with "Original Sin" (first appearing on his own album of the same name) and "Left in the Dark Again." A songwriter named Diane Warren contributed much here. As a rock and roll bonus, the guitar-whipping tune "Amnesty is Granted" was written by the one and only Sammy Hagar--who also sings with Meat, co-produced the song, and lends his instrumental skills in the top-notch way one would expect from such a rock icon.


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